Gala Reya
Gala Reya — interdisciplinary artist-researcher whose practice includes painting with elements of collage, installations, and augmented reality (AR). Her works explore the fundamental connections between the microcosm and the macrocosm. Synthesizing philosophical thought, quantum physics, and metamodernist aesthetics, she constructs a visual paradigm for the invisible phenomena and processes of human consciousness.
“Just like a quantum particle, humanity exists in two states simultaneously: in a superposition of ‘I’ and ‘We’. This dialectical tension between the existential loneliness of the individual and their complete interconnectedness with all that exists is the essence of my narrative.”
BIO
Gala Reya— multidisciplinary artist, she lives and works in Georgia. Her artistic practice originated from her interest in research as a cultural studies scholar at the Institute of Cultural History, where she studied. It was then reinforced by professional skills acquired at the Graphic Arts Department of the Moscow Academic Art Institute named after V.I. Surikov. This synthesis of analytical and creative foundations shaped her interest in studying borderline states—between matter and consciousness, science and spiritual practices. Drawn to the postulates of Cosmism and the Russian Avant-Garde, Gala finds her language in light, silence, and fragmented writing—as a way to visualize invisible structures of thought.
Her works explore the quantum entanglement of consciousness, attention as an ecological resource, and language as a form of memory, using Georgian writing as a bridge between the ancient and the digital. She creates spaces where a material object encounters its virtual “mirage” — not as an illusion, but as another form of presence.
Since 2013, Gala Reya has been actively participating in group and solo exhibitions in Russia and Europe. In parallel with her artistic practice, Gala develops curatorial and art management activities: she has organized exhibitions, worked with institutions and artists, forming spaces for dialogue between art, science, and society. This experience has strengthened her conviction that contemporary art should be not only expressive, but also responsible—visionary and realizable.
A turning point in her career came when she moved to Georgia in 2022. Having undergone a profound personal transformation, the artist discovered a universal visual language, integrating elements of Georgian writing into her paintings. Text, as a medium, became for her a code of personal identity, a rhythmic structure, and a visual metaphor for neural and quantum processes. Reinterpreting Kandinsky's theory of non-objective art and the depiction of spiritual experience, Gala finds a new medium for the “sound of the soul” — the Georgian alphabet. Avoiding simple decorativeness, Gala creates systems in which personal experience crystallizes into universal statements about the interconnection of the microcosm and the macrocosm.
Gala Reya's research naturally transitions into the realm of mental ecology. In a world oversaturated with information noise, focus becomes the most valuable resource for directed human energy. Topography of Silence is a series illustrating the processes of multidirectional trajectories of thought, where each act of awareness is not passive observation but active creation of reality.
Gala Reya continues to actively participate in exhibitions, professional competitions, and publications, as well as curating projects that deepen the dialogue between art, science, and philosophy. She currently heads a creative team of experts on the integration of art objects into luxury real estate.
Her works are in private collections in Georgia, Russia, Italy, Greece, Germany, Argentina, the USA, Ecuador, Estonia, Switzerland, and Norway.
Portfolio
I use the principles of quantum physics as philosophical metaphors. The theory of “entanglement” in my works embodies the invisible connections that bind us together through shared feelings and intentions. The concept of “superposition” serves as an ideal representation of the activity of the mind: when, from a cloud of countless possibilities, from every nascent idea, thought forms emerge that change the material fabric of the world. I create a space for experiencing the fundamental processes that underlie our existence and remind viewers of the creative power with which we constantly shape our reality.
“Echo in the Field of Consciousness” 2
Series “Collapse of the Wave of Loneliness”
Hardboard, acrylic, collage, marker
50 x 50 cm
2025
“Echo in the Field of Consciousness” 1
Series “Collapse of the Wave of Loneliness”
Hardboard, acrylic, collage, marker
50 x 50 cm
2025
“The Birth of a Thought”
Series “Collapse of the Wave of Loneliness”
Hardboard, acrylic, collage, marker
50 x 50 cm
2025
“Bifurcation Point”
“Field of Delusion” series
Canvas, acrylic, collage, marker
100 x 100 cm
2025
"White Noise"
"Topography of Silence" series
Canvas, acrylic, collage, marker
100 x 100 cm
2025
"Entropy of Thought: The Birth of Complexity from Quantum Chaos"
"The Field of Entanglement" series
Canvas, acrylic, collage, marker
100 x 100 cm
2025
See all works
Main series of works
“Field of Confusion”
This series explores the invisible structures of reality and quantum interconnections. Through abstract forms and symbols, I seek to convey the dynamics of the subatomic world and its influence on the macrocosm, inviting the viewer to reflect on the multidimensionality of existence and the potential of consciousness. This series includes large-format paintings that draw the viewer deep into the consciousness of oneself as the universe observing the focus of one's own attention.
“The Improbabilities of Qualia”
We are simultaneously separate universes, confined within the uniqueness of our own perceptions (our “Qualia”), and reflections of the whole within the web of collective consciousness. This series expresses the concept of depicting sensations that cannot be seen with the eyes or described in words. It is a very broad theme in a number of works, such as “Sounds of Silence” and “Color Impressions,” and I continue to explore this theme. It is very personal and touches the depths of my imagination.
“The Archaeology of Thought Forms”
A thought is not only a birth, but also a fossil. Beliefs, habits, obsessive ideas are ancient mental fossils. The inner world of thought forms, “mental garbage,” neural activity is a model of the universe, quantum chaos and disorder. The superposition of thoughts under the influence of the “observer's” attention collapses into orderly structures and meanings.
OBSERVER'S MANIFESTO:
THE ARTIST IS A CREATOR.
THE ARTIST IS AN OBSERVER WHOSE PERSPECTIVE COLLAPSES REALITY.
WE DO NOT REFLECT — WE AWAKEN BEING.
MATTER IS SLOWED-DOWN THOUGHT.
THOUGHT IS ACCELERATED MATTER. OUR METHOD IS METAMORPHOSIS.
WE ARE THE CARTOGRAPHERS OF INVISIBLE FIELDS:
INTERCONNECTIONS, TUNNELS, MIRAGES.
I AM WE. WE ARE ME.
THE ART OF THE FUTURE IS THE ECOLOGY OF CONSCIOUSNESS.
ORDER GIVES BIRTH TO CHAOS. CHAOS GIVES BIRTH TO ORDER.
OUR ATTENTION IS THE CURRENCY OF THE UNIVERSE.
Process
The creative process begins with a deep immersion into the idea, where the conceptual foundations are formed. It is a dialogue between the inner world and external inspiration, transforming abstract thoughts into tangible forms through the choice of materials and visualization methods. Each stage, from the initial idea to the final image, is part of this alchemy, allowing energy and information to take on a new dimension.
Materials and Techniques
In my practice, I use a variety of materials, each of which plays a key role in the realization of my concepts. The main media include acrylic, which helps to create multi-layered and textured surfaces; collage elements, which add depth and symbolism; and Georgian letters and texts, which bring a unique cultural and linguistic context. These tools give me the freedom to experiment and create works that invite viewers to engage in dialogue and contemplation.
The integration of AR technologies into this philosophical framework opens up new possibilities. While traditional art conveys experience through symbols and images, augmented reality allows direct access to that experience by superimposing virtual layers onto reality. Installations created from simple materials become rich not only in meaning but also spatially, thanks to the possibilities of augmented reality. Technology thus becomes a conduit for conveying the very process of creating subjective experience, allowing the viewer to move from passive observer to active participant in this unfolding process.
"For me, experimentation is not just a method, but the very essence of creativity. It allows you to go beyond conventions, discover new possibilities, and make visible what seemed invisible."
Exhibitions:
Upcoming Exhibition
2026 Georgian Museum of Fine Arts, Tbilisi, Georgia
Past Exhibitions
Solo:
2024 «Vinum Divinum» Hermit Space Galary, Tbilisi, Georgia
2022 Exhibition Hall "Union of Artists of Georgia" Tbilisi,
Georgia
2019 Mercedes- Benz, Moscow, Russia
2019 Private Studio, Moscow, Russia
Upcoming Exhibition
2026 Collaboration Exhibition "Vinum Divinum" Estia Pilion, Greece
Past Exhibitions
Group:
2025 De Arte Palma di Montechiaro, Italy
2025 L.A. Art Show, Los Angeles, USA
2024 1st International Biennial De Arte,
Palma di Montechiaro, Italy
2024 «Abstract Art» Royal Blue Gallery, London,
Great Britain
2024 REALM at Holy Art Gallery in London, Great Britain
2023 " Art Gallery" Bodrum, Turkey
2023 «Art - Contact» Istanbul, Turkey
2023 «Spring» "Union of Artists of Georgia" Tbilisi, Georgia
2021 «Symbolic Art» «Eurasian Union
of Artists» Moscow, Russia
2019 «Art Talent Show» «Art-Padova 2019» Padua, Italy
Upcoming Exhibition
2025 World Wide Art gallery at Red Dot Miami USA
Education:
2025 – "Professional Introduction to International
"Theory and Practice of Contemporary Art" Maria
Hintunen School (Sedoshenko)
2023 – Course at the School of Artistic Communication at the
Institute of Mediterranean Culture, Athens, Greece
1998-2003 University of Cultural History (UNIC), specialist
Cultural Studies, specializing in Art Management,
Moscow, Russia
1998-2002 Moscow State Academic Art Institute named after
V. I. Surikov at the Russian Academy of Arts, Graphic
Arts Faculty, Moscow, Russia
2005-2011 Worked as an art manager
Membership in professional communities:
Member of Associazione la via dell Arte Italy since 2025
Member of the Union of Artists of Georgia since 2022
Member of the Eurasian Union of Artists since 2021
Member of the Moscow Union of Artists since 2013
Publications:
2024 ​AT. ge ​magazine Article about the exhibition
“Vinum Divinum” Tbilisi, Georgia
2025 Al-Tiba9 Contemporary Art magazine, Spain
Contact
I am always open to new collaborations and opportunities.
For inquiries about my artistic practice, upcoming exhibitions, or to discuss potential collaborations, please contact me using the details below.