I explore reality as a continuous process of assembly, focusing on the mechanisms through which this process takes place: language, memory, the process of thinking, perception, and attention.

I am also interested in the nature of connections — in how separate elements enter into relationships and, by influencing one another, form more complex structures: from internal processes of thinking and perception to the relationship between the individual and society.

We tend to perceive reality as something already existing, something given to us from the outside. I am interested instead in how the reality we experience takes shape: how separate signals, sensations, memories, signs, and inner states connect with one another and gradually acquire form and meaning.

Language enters my practice through the sign as a stable symbol capable of carrying and transmitting meaning. The Georgian alphabet holds a particular place in my work. I use it not so much as a writing system or a cultural image, but as a visual structure. Freed from the necessity of being read, the sign exists at the threshold between form and meaning in a state where meaning has not yet become fixed.

Memory interests me not as an archive of stored information, but as a process of reconstruction that takes place anew in the present moment. Remembering does not simply retrieve the past; it reassembles it from fragments, transforming it through new experiences, knowledge, and our present state. In this way, the past continually participates in shaping the reality of the present.

The process of thinking is explored through thought-forms that emerge before meaning is fully formed or articulated in words. I am interested in the state in which thought is already beginning to take form but remains open to multiple possible meanings a space before definition, where connections are only beginning to emerge and can still take different configurations.

Perception, for me, is not a passive reflection of the external world, but a process through which experience is continuously assembled from multiple fragments and signals. We do not simply register what happens around us; we connect, distinguish, complete, and interpret.

Attention is both a resource of presence and an instrument involved in shaping our inner reality. What we repeatedly direct our attention toward — through interest, habit, or fear gradually occupies more space within our consciousness.

From this emerges what I call an “ecology of mind”: a conscious relationship with our own attention, its direction, and what we allow to shape our inner space.

I am also interested in certain ideas from contemporary science and philosophy not as explanations of art, but as different ways of approaching questions about the nature of reality. In particular, concepts such as superposition and interconnectedness allow me to consider reality not as a completed state, but as a field of possible relationships in which meaning emerges through interaction.

My intention is not to illustrate these ideas. Through painting, objects, installation, transparent materials, light, text, and augmented reality, I create situations in which the processes of forming connections and meaning can themselves become perceptible and experienced.

Fragments, signs, layers, ruptures, and overlaps do not resolve into a single predetermined interpretation. The viewer enters the process, establishing connections between elements and participating in the formation of meaning.